The Flatiron, 1904
Edward J. Steichen (American, born Luxembourg, 1879–1973)
Gum bichromate over platinum print
18 13/16 x 15 1/8 in. (47.8 x 38.4 cm)
Alfred Stieglitz Collection, 1933
Steichen added color to the platinum print that forms the foundation of this photograph by using layers of pigment suspended in a light-sensitive solution of gum arabic and potassium bichromate. Together with two variant prints in other colors, also in the Museum's collection, The Flatiron is the quintessential chromatic study of twilight. Clearly indebted in its composition to the Japanese woodcuts that were in vogue at the turn of the century and, in its coloristic effect, to the Nocturnes of Whistler, this picture is a prime example of the conscious effort of photographers in the circle of Alfred Stieglitz to assert the artistic potential of their medium.
